In chess, particularly in endgames, a key square (also known as a critical square) is a square such that if a player's king can occupy it, he can force some gain such as the promotion of a pawn or the capture of an opponent's pawn. Key squares are useful mostly in endgames involving only kings and pawns. In the king and pawn versus king endgame, the key squares depend on the position of the pawn and are easy to determine. Some more complex positions have easily determined key squares while other positions have harder-to-determine key squares. Some positions have key squares for both White and Black.
Read main article: King and pawn versus king endgame
In an endgame with a king and pawn versus a king, the key squares are relative to the position of the pawn. Assume that White has the pawn. If the white king can occupy a key square, he can force the promotion of the pawn but accurate play is required. Whether or not the white king can reach a key square depends on the position of the pieces and which player is to move (Müller & Lamprecht 2007:20-22).
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
An advanced rook pawn generally has two key squares: the two squares on the adjacent file that touch the promotion square, i.e. b7 and b8 for a white a-pawn, and g7 and g8 for a white h-pawn. The key squares are indicated by the black dots in the position in the diagram on the right. If White's king can reach either of the two key squares, he can keep Black's king away and the pawn will promote. If the Black king can reach any of the squares marked with a dot or an "X", it stops the pawn - either by blocking the pawn or preventing the white king from reaching a key square (Silman 2007:105-6).
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
Pawns other than rook pawns have more key squares. If the pawn is on the second, third, or fourth rank, there are three key squares - the square two squares in front of the pawn and the squares to the left and right of that square. The key squares are indicated by the black dots in the diagrams above. If the pawn is on the fifth or sixth rank, there are six key squares: the square in front of the pawn and the squares to the left and right, as well as the square two squares in front of the pawn, and the squares to the left and right of it, see the middle diagram. When the pawn is on the seventh rank, the key squares are the squares on the seventh and eighth rank that touch the pawn's square (see the diagram on the right).
An easy way to remember the key squares is to note that if the pawn is not beyond the midpoint of the board, there are three key squares that are two ranks ahead. If the pawn is on the fifth or sixth rank there are six key squares on the two ranks in front of the pawn. If the pawn is on the seventh rank, the adjoining squares on the seventh and eighth ranks are key squares (Müller & Lamprecht 2007:16-18).
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
There is an exception to the key squares rule with a knight pawn on its sixth rank, the defending king in the corner, and the defender to move. In the diagram on the right, with the white king on either the square indicated or the square marked by "x", the position is stalemate if Black is to move.
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
This position from a game between Svetozar Gligorić and Bobby Fischer illustrates key squares. Black to move can keep the white king from reaching a key square by 57... Kb8, so the game is drawn (Müller & Lamprecht 2007:20). If the white king moves to the fifth rank, Black takes the opposition. (See Opposition for more details of this game.)
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
In a position with a blocked pair of pawns (opposing pawns on the same file), the key squares for a player's king extend for three files on either side of the opponent's pawn. In this position, the first king to reach one of his key squares will win the opponent's pawn and protect his own. Even though the white king is farther away from the pawns, White wins if he moves first:
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
When both kings can reach a key square, a position of mutual zugzwang may occur. The first king to attack the opposing pawn must save a square for attack and defense (the squares marked "x"). With White to move:
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
In this example, White would win if his king could get to any of the key squares (marked by the white dots). But Black is able to prevent this and draw the game - with or without the move. For example:
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
In this example, f6 is also a key square for the white king. White to move wins, Black to move draws. (All of Black's moves are the only move to draw.)
a | b | c | d | e | f | g | h | ||
8 |
|
8 | |||||||
7 | 7 | ||||||||
6 | 6 | ||||||||
5 | 5 | ||||||||
4 | 4 | ||||||||
3 | 3 | ||||||||
2 | 2 | ||||||||
1 | 1 | ||||||||
a | b | c | d | e | f | g | h |
With a king and pawn versus a lone king, it is important to get the attacking king to any key square and the path to a key square is not always direct. For instance, in the diagram on the right, the key squares for the white king are b5, c5, and d5. Black can prevent the white king from reaching a key square directly, e.g.:
However the white king can reach a key square (b5) by going on the other side of the pawn:
or
and the white king has occupied a key square and has a winning position (Müller & Lamprecht 2007:20).